TOMBOLO ART MEDIA

TOMBOLO ART MEDIA
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Showing posts with label Nocona Burgess. Show all posts
Showing posts with label Nocona Burgess. Show all posts

Tuesday, March 16, 2010

Heard @ The Heard 2010: Nocona Burgess Pop Artist or Contemporary Traditionalist?



“…I had no choice but to pursue art. It was in my blood.” –Comanche artist Nocona Burgess



My impression of Nocona Burgess, a Comanche artist, originally from Lawton, Oklahoma, is that he is extremely likeable, confident, a genuine family man and an artist who is passionate about the work that he creates. A big fan of his work well before I came to New Mexico (I had to live vicariously through magazine pictures while I was in NYC!), it was a true pleasure to finally meet him at the 2010 Heard Museum Guild’s Indian Fair and Market in Phoenix.  I have been eyeing a smaller work at Traders Collection in Santa Fe for some time now, so to get to see the larger ones in person was even more impressive.

Everything in Burgess’s past was a sign that he should be an artist—especially the fact that he comes from a family full of artists. Much of his childhood was spent traveling, learning about art and growing up around many famous artists. He also comes from a line of Comanche chiefs that includes his father, artist Ronald Burgess, and goes back all the way to his great-great grandfather Quanah Parker.

After years of art study, Burgess began to doubt that an art career would be lucrative for him. After years working in management at a casino, he decided he wanted more. He returned to his native Oklahoma, after living in numerous cities, and enrolled again in art school. He reconnected with his people there as well. After meeting his wife, they moved to Santa Fe, and the career he knows today began to take shape. One show led to another and the successful ride as a known contemporary Native artist began.

Burgess is quick to let people know that while his work may be perceived as “pop art,” that’s not how he sees it. He doesn’t wake up in the morning and decide to paint “some pop art today,” as he says. His art is influenced by the nature around him, and that is what he paints. He loves traditional Indian art-- something that he is very familiar with, but the enjoyment in creating comes from taking those traditional images and making them his own, which includes humanizing his subjects.  This brings the work closer to the artist and into a sphere of relevancy for him. A musician and an Indian flute player, Burgess loves to branch out and work with new subject matter as he recently did with his, now iconic, “Folsom Prison Blues” period painting of Johnny Cash entitled Johnny that he did for Giacobbe-Fritz Fine Art’s 11” x 11” x 11” show.

Check out the interview I did with him at the Heard show HERE, in which he talks about his recent paintings that are inspired by Greek mythology. He says he is always reading and thinking about ways to bring what he learns to his work. This is one smart guy!















Tuesday, March 9, 2010

Heard @ The Heard 2010: Uncle Paulie Hits the Road to Phoenix for Native Art























When my friend and award-winning Jemez Pueblo potter Kathleen Wall insisted I head out to the Heard Museum's Indian Fair and Market this past weekend, how could I say no?  She even made arrangements for me to stay on the Gila River Pima reservation at her mother, Fannie Loretto's  house. Loretto is a Jemez and Laguna mask artist . 

That was a thrill because I had the opportunity to see the wonder and the stress of getting ready for market.  As most artists do, Loretto and Wall were putting the final touches on their pieces in preparation for Saturday and Sunday well into the wee hours of the night after Friday's preview party and auction at the Heard.  I got to stay up with them to help and admire their dedication and craftsmanship.



Of course the preview party was fun because I got to hang out with some of my favorite people Jody Naranjo of Santa Clara Pueblo, Glendora Fragua from Jemez, Navajo clothing designer Penny Singer, Kathleen, and my roadtrip companion Taos potter Suann Davin.   Suann and I traveled all the way to Phoenix from Albuquerque together, and I was amazed when I finally saw her unique, contemporary, geometrically-exciting micaceous pottery on Saturday morning.  The show seemed well-attended, and with over 700 of the finest Native artists selling their work, it was a huge learning opportunity offering one of the best times I have ever had, both visually and culturally.

Last August, I attended SWAIA's Indian Market and didn't know a soul.  This time around, I saw so many people I knew, it was like all of New Mexico was in Phoenix!  I really enjoyed spending time getting to know Santo Domingo cartoonist Ricardo Cate, Thomas Tenorio, Colin Coonsis, Peter Boome, as well as making other new friends like Pilar Agoyo, Phillip John Charette and Ed Archie Noisecat.  I finally got to meet Chris Pappan, Nocona Burgess as well as Mateo Romero.  I even got to hang for a bit with my friends, award-winning Navajo painter Sheldon Harvey and Marian Denipah and Steve LaRance.  In spite of the rain and the three snowstorms I had to drive through to get back to Albuquerque, it was completely worth it.

The best part of all was that many of the fine artists in attendance took the time to talk to me about their lives, their art and inspirations.  This week I begin a video interview series entitled "Heard @ The Heard 2010".  I hope you will join me for these special portraits of artists who are making their unique marks in the world of Native American arts.